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Some
Kind of Monster

Year:
2005
Rating:
NR
Overall
Evaluation: 6.0
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Significance
Suppositions
Story
Style
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7.0 / 10
6.0 / 10
5.0 / 10
4.0 / 10
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criteria.
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Style
While the film
is unrated it would have definitely been rated "R" for
nudity and language alone. These moments are brief and do to some
extent serve the purpose of the film and make it realistic (of course
it is real life so that's not saying much - I mean hey, it's Metallica,
what'd you expect???).
Story
This is a quasi-rockumentary
about Metallica's making of their album St. Anger and the
difficulties they had to go through in the process. They were followed
around night and day from 2001-2003 to create this film which was
going to be an Osbournes type thing on VH1 until they decided
to release it in this format. As they recorded the album they fought
bitterly, sought the counsel of a $40,000 a month psychoanalyst,
and the lead singer (James Hetfield) took almost a year off to go
through rehab for alcoholism. They also faced the replacement of
bassist Jason Newstead who left for personal reasons and the difficulties
he faced working with them.
Suppositions
The film is made up of
day to day life so it's pretty realistic of course. Naturally not
all of the 1200 hours of footage are shown so they can make it sound
any way they want but I was impressed by the fact that a lot of
dirt was dug up and they were not afraid to release it (even going
so far as to show the Metallica spoof someone did against Lars Ulrich
during his battle with the Napster thieves - and they were thieves
by the way). Unfortunately there is much left wanting in the band's
worldview - getting along in order to keep making music seems to
be the ulitmate goal of their lives but this is never stated.
Significance
The basic thrust of the
movie is demonstrating that with enough help even Metallica can
open up and show their emotional sides - while continuing to kick
@$$ of course! It was a weird blend to be sure. Anyone who has seen
previous Metallica videos will see a huge change in focus. Rather
than the up-and-coming metal gods in the early tribute footage of
Cliff Em All, or the partying megastars of Year &
a Half, here we are given insight into personal struggles and
how they were dealt with. On the positive side, Hetfield comes out
of his rehab a new man - which is actually a big part of the band's
problems in the latter half of the movie. It is a good message but
rather vague, and it is clear that what is being done is for the
glory of Metallica and not for eternity.
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