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Saved!

Year:
2004
Rating:
PG-13
Overall
Evaluation: 3.0
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Significance
Suppositions
Story
Style
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1.0 / 10
3.0 / 10
5.0 / 10
6.0 / 10
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criteria.
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Style
The movie is
rated PG-13. It involves crude sexual humor, teen groping, one minor
sex scene (no nudity), blatant cussing, homosexuality, adultery,
profane gestures, etc. Fairly realistic without getting too detailed.
Story
The plot revolves around
a girl who gets pregnant while trying to save her boyfriend from
turning gay by giving up her virginity to him (because Jesus told
her to, of course). This alone suggests the overall quality of the
story. In the meantime her mother is having an affair with the pastor
/ principle of her high school, and her friends are all, each in
their own personal way, discovering the overall lameness
of Christianity (such as is portrayed here): we have the gay (but
sincere) boyfriend, the rebellious (but tender hearted) female,
the pious (but bitchy) prima donna, etc. In the end . . .
[SPOILER
ALERT]
.
. . the pregnant girl realizes that her boyfriend being gay is OK
(why would God make everyone so different if He wanted everyone
to be the same???) just as long as he's following his heart, her
adulteress mother and pastor realize that their love affair is OK
as long as they are following their hearts, the rebellious girl
succeeds in winning the heart of the fence-rider and so not being
a Christian is OK as long as you're following your heart, and the
single mother thing is OK too as long as you have a supportive boyfriend
who doesn't mind because . . . you guessed it . . . he's following
his heart.
Suppositions
This was, I think, supposed
to be a comedy. There are some mildly amusing parts, but the theme
is so ridiculously overplayed it comes off looking rather stupid.
And don't think I'm saying this just because I am a Christian -
Monty Python's extremely irreverent Life of Brian was absolutely
hysterical. There's nothing wrong with a good lampoon - and there's
nothing wrong with being able to laugh at yourself or your community
(or, in this case, sub-community). But an entire cast of one dimensional
caricatures is little more than propaganda (a lesson Christian filmmakers
need to learn themselves). Suffice to say that there is not a good
example of a true Christian anywhere in the movie. This is what
we philosophers call a "strawman" or "special pleading"
fallacy. What you do is take only the element of a position that
you can attack and make it out to be representative the whole enchilada.
Are there dorky Christians out there that think there needs to be
a "Christian" version of everything (skating, haunted
houses, dances, etc.)? Yes. Are there Christians who use "prayer
groups" for gossip? Yes. Are there Christians who think that
evangelism is just harping on "getting saved" and never
about really loving someone? Yes. I would go so far as to say that
very few elements of the movie could not be found somewhere. But
that's like saying that some of the elements of Vertical Limit
could be found in real mountain climbing (climbers who saw this
abysmal film will understand). Imagine if someone had made a movie
about black people where every one was a drug dealing, ebonics speaking,
welfare parent gangsta-wanna-be rapper with gold teeth? Or, what
if someone made a film about homosexuals where every one was an
over-the-top flamboyant fetish freak who had sex with everything
(same sex of course) that moved? Do you think the PC public would
accept that? Of course not. But hey, these are Christians, they
deserve it. What it comes off as is a ridiculous comedy that is
not funny. Having one dorky character to play off of a realistic
one is fine, but to make an entire cast of subculture caricatures
out to be representative of any group is just plain false.
Significance
What is really sad about
this movie is how good it might have been. As a slam on pop-Christianity
it works - but it fails to deliver the solution. Rather than the
characters realizing the error of their ways for what they are (a
perversion of Christianity), the characters instead "realize"
that Christianity itself is false and turn away. In the end, no
surprises here, "god" turns out to be something inside
everyone. How do we know? Because we feel it of course. Therefore
religion is not about right and wrong, true and false, because "god"
(whatever it is) is inside of us all and (somehow) loves us all.
So let's just accept one another because we're all sinners. See
how easy it is to distort the truth? Yes, we're all sinners to
some degree, but does that excuse a lifestyle of sin? Does this
make adultery morally acceptable? Does that mean we should accept
homosexuality as normal? Does that mean rebellion against God and
goodness is now itself good? Duhhhh. Yes, Jesus loves us despite
our sin - this is true. But the spin put on this truth is that love
= salvation which is patently unbiblical. Being loved by God does
not mean you are saved - you have to love Him back, and on His terms.
About the only truth conveyed in this film is that the world is
immoral and pop Christianity does not have the power to solve it.
The answer, however, is not to deny the truth of Christianity -
but to deny the falsehood of pop-culture, even in its Christian
form.
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