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King
Arthur

Year:
2004
Rating:
PG-13
Overall
Evaluation: 4.5
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Significance
Suppositions
Story
Style
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4.0 / 10
3.0 / 10
5.0 / 10
6.0 / 10
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Style
Rated PG-13 for
intense battle sequences, a scene of sensuality and some language.
It was originally rated R and had to be scaled down a bit on the
violence side. Language is restricted to minor cussing but there
is much crudity nonetheless.
Story
There's no Camelot,
no Excalibur, no Arthur-Guinevere-Lancelot love triangle, no sorcery,
no Mordred . . . virtually no story - but there is a round table
and intense battle scenes. This, allegedly, is supposed to tell
the "real" story of King Arthur. In this version of the
tale "Arthur" is a half breed Roman with a cadre of pagan
brutes on loan from Rome fighting off rebellion and other evils
in Roman-occupied Britain. When Rome decides the island is not worth
the trouble it recalls its warriors to fight at home. However, there
is an politically important boy in northern Britain that needs rescuing
from the Saxons first.
[SPOILER WARNING!]
As
the "knights" ride forth they come to realize that the
evil pagan hordes above the protecting wall that divides Britain
are really good guys and they join together at Badon hill to route
the Saxons and thumb their noses at Rome and Christianity.
In
all it is a sadly boring tale that barely remains interesting even
with all the bloodshed and innuendo.
Suppositions
Allegedly this
is "the untold true story that inspired the legend." Despite
its vague claim to archeological evidence the fact is that no texts
from that period (probably the 5th or 6th century) mention Arthur's
name, nor do they mention Camelot or the Round Table. Some scholars
believe that the literary figure of King Arthur is based upon a
Roman general named Lucius Artorius Castus who was in charge of
a large Sarmatian cavalry unit at Hadrians Wall. Some believe
that the Arthurian legend grew after the (historically confirmed)
battle at Badon Hill.
The problem is
that King Arthur is a legend - a legend designed to uphold virtues
like bravery, loyalty, love, purity of heart, etc. These moviemakers
basically present a totally unnecessary, blatantly anti-Christian
alternative Arthurian story, in which Arthur a Roman soldier learning
the error of loyalty, Merlin is a woad-covered pagan guerrilla leader
along with Guinevere who is a warrior running around in a leather
bikini, and the "knights" of the round table are a bunch
of pagan brutes without a trace of chivalry. Why even call this
film "King Arthur"? King Arthur without chivalry and romance,
without spells, curses and tragic destiny? Please! It would be different
if this "true" story were at least interesting.
Further, there
are plenty of historical mistakes despite the claims. The "native
Britons" are called Woads in the film (because
of their painting their skin with blue dye from the Woad plant).
They reside north of Hadrians Wall, in what is now Scotland.
That would make them Picts, who actually joined with the Saxons
against Arthur and his Britons. Even though there is evidence in
Celtic culture that women fought, we can be sure the women who did
fight didn't wear skimpy clothing.
The link between
Arthur and his hero the heretic Pelagius, has zero historical support
and is just one more assault on true Christianity in the film. But
that is the least of the attacks - over and over again we are treated
to blatantly anti-Christian attitudes and direct challenges that
the pitiably weak Christians are never able to answer. Not a single
Christian in the film is portrayed as less than a villain. Had this
film attacked homosexuals, pagans, witches, or any other politically
protected group the outcry would have been enormous. But as well
know, only Christians may be attacked with impunity in our politically
correct day.
Significance
The message the movie sends
is mixed. Yes, it's about loyalty - sort of. "Arthur"
finally realizes that his loyalty to Rome is questionable and that
he should fight for Britain (for some reason). His knights who just
about rioted when they discovered they could not go home before
rescuing the boy suddenly show up to help him (for some reason).
It's all very dramatic but makes little sense with their characters
or with their previous actions.
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